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About This Card

Card #22 from the 2025 Magic: The Gathering Edge of Eternities Art Series, featuring the unique dual-faced Loading Zone // Loading Zone design.

Loading Zone // Loading Zone

2025 • Magic: The Gathering • Edge of Eternities Art Series

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Market Value
Raw/Ungraded Market: $0.28
Stale · as of 9/22/2026
Based on Aggregated Price GuideCheck Price Guide

Market & Price History

  • $0.28As of 9/22/2026
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30-day Price History

Raw / Ungraded

PriceCharting Price Guide · Guide Estimate evidence · captured Sep 22, 2026

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Product Overview

Description

Card #22, Loading Zone // Loading Zone, stands out within this release as a rare example of a dual-faced card where both sides share the same name. This configuration creates a unique visual symmetry that appeals to collectors interested in the game's diverse mechanical and artistic presentations. Designed by Matt Stewart, this card carries the set code AEOE and is categorized as a Common rarity. In the context of the Edge of Eternities Art Series, the focus is often on the artistic interpretation of the game's mechanics, and this card offers a minimalist yet striking entry point. The dual-faced nature of Loading Zone // Loading Zone means it occupies a unique space in the set, differing from the standard single-face cards that dominate most expansions. Collecting the Edge of Eternities Art Series allows enthusiasts to explore Magic: The Gathering through a lens that prioritizes artistic cohesion. Card #22 is a key component for those building a complete set, offering a tangible connection to the 2025 release. Whether you are a long-time player or a new collector, this card represents a distinct piece of the game's evolving history. The dual-faced format is not just a mechanical novelty but a design choice that adds depth to the physical card experience. The ability to track specific card numbers and set codes ensures that you can accurately identify and pursue the cards you need. As the Magic: The Gathering community continues to grow, understanding the nuances of different series and their unique cards becomes increasingly valuable. This card, with its unusual dual identity, serves as a fascinating study in the game's design philosophy. For investors and hobbyists alike, the Edge of Eternities Art Series represents a specific moment in Magic's history. Card #22, with its dual Loading Zone theme, is a notable entry that reflects the creativity of the 2025 design team. It is a card that invites closer inspection, both for its gameplay implications and its place within the broader collection of the series.

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Product Specs

Card Details

The catalog profile below summarizes the card identity, featured subject, and notable collectible traits.

Catalog Profile

The core identity of the card within the set.

Year

2025

Series

Edge of Eternities Art Series

Card Number

#22

Featured Subject

The subject, team, league, and sport context tied to this card.

Game

Magic: The Gathering

TCG Attributes

Rarity, print treatment, and game-specific stats for this card.

Rarity

Common

Artist

Matt Stewart

Material

Card Stock

Language

English

Type

Card

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FAQ

Frequently Asked Questions

What is the Edge of Eternities Art Series in Magic: The Gathering?

The Edge of Eternities Art Series is a 2025 release from Magic: The Gathering that features a distinct layout treatment for its cards. This series focuses on artistic presentation, with each card numbered and designed to offer a unique visual experience for collectors.

Why is Loading Zone // Loading Zone card #22 unique?

Loading Zone // Loading Zone, card #22 from the AEOE set, is unique because it is a dual-faced card where both sides share the same name. This configuration is rare in Magic: The Gathering and makes it a distinctive piece for collectors of the Edge of Eternities Art Series.

Who is the artist for Loading Zone // Loading Zone?

The artist for Loading Zone // Loading Zone in the 2025 Edge of Eternities Art Series is Matt Stewart. His work is featured on this Common rarity card, which is part of the set code AEOE.

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