The 1996 Magic: The Gathering Pro Tour Collector Set card Hymn to Tourach (ll38d). This common sorcery, illustrated by Scott Kirschner, remains a staple for vintage MTG enthusiasts.
Hymn to Tourach
1996 • Magic: The Gathering • Pro Tour Collector Set
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Description
Hymn to Tourach (ll38d) is a foundational sorcery from the 1996 Magic: The Gathering Pro Tour Collector Set. Released during the formative years of the trading card game, this card features artwork by Scott Kirschner and serves as a recognizable piece for collectors of vintage Magic products. As a black common, it offers players a straightforward method to disrupt their opponent's hand by forcing them to discard two cards at random. The Pro Tour Collector Set holds a unique place in Magic history, often containing reprints of popular cards from earlier expansions. This iteration of Hymn to Tourach allows fans to build their collections with a card that has seen extensive play across various formats. The card's mana cost of {B}{B} and its simple yet effective effect make it a frequent inclusion in many deck lists, particularly those focused on discard strategies. For those interested in the history of Magic: The Gathering, acquiring cards from the Pro Tour Collector Set provides a tangible connection to the game's early competitive scene. Whether you are a seasoned collector or new to the hobby, adding this card to your collection connects you with the rich legacy of early Magic design and art.
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Card Details
The catalog profile below summarizes the card identity, featured subject, and notable collectible traits.
Catalog Profile
The core identity of the card within the set.
Featured Subject
The subject, team, league, and sport context tied to this card.
Featured
Hymn to Tourach
Game
Magic: The Gathering
TCG Attributes
Rarity, print treatment, and game-specific stats for this card.
Common
Scott Kirschner
Card Stock
English
{B}{B}
Sorcery
B
Card Text
Abilities, attacks, oracle text, and flavor text printed on the card.
Target player discards two cards at random.
Members of the Order often played the Hymn on instruments made from their victims' bones.
