The 2011 Magic: The Gathering Salvat Tome Scour card (number 57) is a common sorcery that forces a target player to mill five cards.
2011 • Magic: The Gathering • Salvat 2011
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The 2011 Magic: The Gathering Salvat Tome Scour card, numbered 57, serves as a straightforward removal tool for players seeking to disrupt an opponent's strategy. As a common sorcery card, it offers a reliable way to deplete an opponent's library by forcing them to put the top five cards of their library into their graveyard. This mechanical effect is particularly useful in formats where card advantage is critical, making it a staple in various deck builds that rely on mill strategies or simply need to clear the board of key resources. Released as part of the Salvat series, this card features artwork by Steven Belledin, whose style contributes to the visual identity of the set. Collectors often seek out individual cards like Tome Scour to complete their personal collections or to trade with other enthusiasts in the Magic: The Gathering community. For investors and long-term holders, the Salvat series represents a specific era in Magic's history, offering a tangible connection to the game's evolving design philosophy. While Tome Scour is a common rarity, its inclusion in the Salvat set gives it a unique place in the collector's catalog. Whether you are a seasoned veteran or a new collector, understanding the role of cards like Tome Scour in the broader game helps in making informed decisions about what to acquire.
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The catalog profile below summarizes the card identity, featured subject, and notable collectible traits.
The core identity of the card within the set.
The subject, team, league, and sport context tied to this card.
Featured
Tome Scour
Game
Magic: The Gathering
Rarity, print treatment, and game-specific stats for this card.
Common
Steven Belledin
Card Stock
Spanish
{U}
Sorcery
U
Abilities, attacks, oracle text, and flavor text printed on the card.
Target player mills five cards.
La genialidad está sobreestimada, especialmente la ajena.
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